From Chapter 1:
It may further be added that though the use of tobacco was known and practised on the continent of Europe for some time before smoking became common in England—it was taken to Spain from Mexico by a physician about 1560, and Jean Nicot about the same time sent tobacco seeds to France—yet such use was exclusively for medicinal purposes. The smoking of tobacco in England seems from the first to have been much more a matter of pleasure than of hygiene.

From Chapter 15:
The older tobacconists were wont to assert, says Larwood, that the man in the moon could enjoy his pipe, hence "the 'Man in the Moon' is represented on some of the tobacconists' papers in the Banks Collection puffing like a steam engine, and underneath the words, 'Who'll smoake with ye Man in ye Moone?'" The Dutch, as every one knows, are great smokers, so a Dutchman has been a common figure on tobacconists' signs. In the eighteenth century a common device was three figures representing a Dutchman, a Scotchman and a sailor, explained by the accompanying rhyme:

The bill bearing this sign is in Banks's Collection, 1750. Another in the same collection, with a similar meaning but of more elaborate design, shows the three men, the central figure having his hands in his pockets and in his mouth a pipe from which smoke is rolling. The man on the left advances towards this central figure holding out a pipe, above which is the legend "Voule vous de Rape." Above the middle man is "No dis been better." The third man, on the right, holds out, also towards the central figure, a tobacco-box, above which is the legend "Will you have a quid."

From Chapter 5:
Although smoking was general among parsons, yet attacks on tobacco were occasionally heard from pulpits. A Lancashire preacher named Thomas Jollie, who was one of the ministers ejected from Church livings by the Act of Uniformity, 1662, has left a manuscript diary relating to his religious work. In it, under date 1687, he mentions that he had spoken "against the inordinate affection to and the immoderate use of tobacco which did caus much trouble in some of my hearers and some reformation did follow." He then goes on to record two remarkable examples of such "reformation"—examples, he says, "which did stirr me up in that case more than ordinary. The one I had from my reverend Brother Mr. Robert Whittaker, concerning a professor [i.e. a person who professed to have been "converted"] who could not follow his calling without his pipe in his mouth, but that text Isaiah 55, 2, coming into his mind hee layd aside his taking of tobacco. The other instance was of a profane person living nigh Haslingdon (who was but poor) and took up his time in the trade of smoking and also spent what should reliev his poor family. This man dreamed that he was taking tobacco, and that the devill stood by him filling one pipe upon another for him. In the morning hee fell to his old cours notwithstanding; thinking it was but a dream: but when hee came to take his pipe, hee had such an apprehension that the devill did indeed stand by him and doe the office as hee dreamed that hee was struck speechless for a time and when hee came to himself hee threw his tobacco in the fire and his pipes at the walls; resolving never to meddle more with it: soe much money as was formerly wasted by the week in to serving his family afterward weekly."

From Chapter 15:
The shop-bill of Richard Lee, who sold tobacco about 1730 "at Ye Golden Tobacco Roll in Panton Street near Leicester Fields," is an elaborate production. Hogarth in the earlier period of his career as an engraver engraved many shop-bills, and this particular bill is usually attributed to him, though the attribution has been disputed. There is a copy of the bill in the British Museum, and in the catalogue of the prints and drawings in the National Collection Mr. Stephens thus describes it: "It is an oblong enclosing an oval, the spandrels being occupied by leaves of the tobacco plant tied in bundles; the above title (Richard Lee at Ye Golden Tobacco Roll in Panton Street near Leicester Fields) is on a frame which encloses the oval. Within the latter the design represents the interior of a room, with ten gentlemen gathered near a round table on which is a bowl of punch; several of the gentlemen are smoking tobacco in long pipes; one of them stands up on our right and vomits; another, who is intoxicated, lies on the floor by the side of a chair; a fire of wood burns in the grate; on the wall hangs two pictures ... three men's hats hang on pegs on the wall." Altogether this is an interesting and suggestive design, but hardly in the taste likely to commend itself to present day tradesmen.